Lovecraft are an ideal genre-movie pair, and Color Out of Space ably channels the latter’s gift for unreal terror while providing the former with a vehicle for charmingly out-there antics. Ordered to restore his homeland’s reputation (which he ruined with the first film) by gifting a famed monkey to Vice President Mike Pence, Borat winds up accompanied by his stowaway 15-year-old daughter Tutar (Maria Bakalova) on another cross-country odyssey that entails making pit-stops at stores, debutante balls and white nationalist rallies (where he leads sing-alongs that reveal the hatred of those in attendance). James LeBrecht and Nicole Newnham’s documentary is the story of that quietly revolutionary locale, where disrespected and marginalized handicapped kids were finally given an opportunity to simply be themselves, free from the judgement of those not like them. | The 16 Scariest Horror Movies of 2020 That'll Haunt You for the Rest of the Year. Sacha Baron Cohen, Brian Eisch’s overseas tours of duty took an immense toll on his two young sons, Isaac and Joey, and his return home from the battlefield with a catastrophic leg injury only compounded their unique family dynamic. Four African-American vets battle the forces of man and nature when they return to Vietnam seeking the remains of their fallen squad leader and the gold fortune he helped them hide. On a Cape Cod getaway, aspiring astrobiologist Emily (liana Liberato) and her going-nowhere boyfriend Randall (Noah Le Gros) wind up sharing accommodations with fiftysomething couple Jane (Maryann Nagel) and Mitch (Jake Weber), friends of Randall’s dad. Tom Pelphrey, R A musical adaptation of the 1983 film. It’s a muted and moving snapshot of men searching for a second wind in reckless fashion, and as Martin, Mikkelsen delivers one of the finest performances of his career, veering between numbness, regret, doubt and—in that astounding climax—liberating release. Aviva tackles the multifaceted nature of gender identity in fittingly diverse fashion, depicting the highs and lows of a couple’s relationship via narrative and modern-dance means – as well as by having both a man and a woman play each of its protagonists, male Eden (Bobbi Jene Smith, Tyler Phillips) and female Aviva (Zina Zinchenko, Or Schraiber). | Kristen Wiig, By means of a job coaching his Catholic alma matter’s struggling team, Jack is blessed with a shot at salvation, turning around the fortunes of his players and, by extension, his own life. Trailers for each film are featured on each page below. 90 min When terrorists try to seize control of a Berlin-Paris flight, a soft-spoken American co-pilot struggles to save the lives of the passengers and crew while forging a surprising connection with one of the hijackers. | Craig Zobel Kristen Schaal, In Andre Ahn’s touching indie, Dennehy is Korean War vet Del, who comes to befriend socially awkward young Cody (Lucas Jaye) after the boy and his mother Kathy (Hong Chau) take up temporary residence next door, cleaning out the pigsty that used to belong to Kathy’s deceased sister. Director: | Faced with this unexpected and debilitating turn of events, Ahmed’s Ruben is forced by his bandmate/partner Lou (Olivia Cooke) to leave their tour and park his Airstream trailer at a home for the deaf run by generous but stern Joe (Paul Raci). Donald Ray Pollock, Delroy Lindo, Anya Taylor-Joy, As hardships mount, Loach incisively details the major and minor ways in which this contractor-oriented paradigm is fundamentally rigged against workers. 93 min Guided by a loose, jazzy, improvisatory spirit, Ferrara’s quasi-autobiographical drama charts its protagonist as he works on a new project, teaches acting classes, attends AA meetings, and spars with his 29-year-old bride Nikki (Cristina Chiriac), whose father issues are at the root of her marriage to a much older man, just as Tommaso’s desire to remain a vital presence in daughter Deedee’s (Anna Ferrara) life stems from his own prior parental failures with his adopted children. Putting a poignant face on a contentious social topic, Never Rarely Sometimes Always tells the story of pregnant Pennsylvania 17-year-old Autumn (Sidney Flanigan), who with her loyal cousin Skylar (Talia Ryder) by her side, travels to New York to procure an abortion. Director: The murderous threesome seems to have leapt to life from a painted music box coveted by the couple’s child, thereby casting the proceedings as a symbolic portrait of heartache as a never-ending predator intent on destruction. Stars: Lists of recent good movies and award winners. Driven to first prove the viability of alternate-current electricity, and then to create a revolutionary wireless energy system that will connect humanity – bringing light, power and resources to the dark corners of the globe – Tesla is an alienated soul embodied with mysterious, self-destructive passion by a superb Hawke. Round and round the romantic entanglements go, not only for these three characters but a host of others that de Wilde and screenwriter Eleanor Catton faithfully delineate in clean, bright brushstrokes. Bio-terror comes in corrupting forms in The Beach House, whose contagion-based scares speak, subtly if severely, to our present moment. A companion piece to last year’s excellent The Cold Blue, Erik Nelson’s Apocalypse ’45 imparts a striking sense of WWII chaos and carnage via newly unearthed and restored material shot during America’s campaign against the Japanese in the Pacific theater. Driveways isn’t simply one of the late Brian Dennehy’s final performances—it’s also one of his finest. An immigrant who rivaled Thomas Eddison (Kyle MacLachlan) and partnered with George Westinghouse (Jim Gaffigan), JP Morgan (Donnie Keshawarz), and Sarah Bernhardt (Rebecca Dayan), Almereyda’s Tesla (Ethan Hawke) is a stoic genius with determination in his eyes and sadness at the corners of his mouth. Action, Comedy, Crime. You’ll never look at sows quite the same way again. Paul Sparks, Comedy, Musical, Romance. Stars: Repeatedly shouting out to both crime movies and Westerns – even its title and central conceit feel like references to Lauren Bacall’s iconic To Have and Have Not line of dialogue – the director orchestrates his action with slippery subtlety and droll humor, and he continually surprises on his way to an expressively non-verbal finale of light and music. Seth Rogen, Stars: Pete Docter, Courtesy of Ma’s demanding diva imperiousness and Levee’s cock-of-the-walk arrogance, the session becomes a powder keg whose fuses are related to African-American oppression, ambition and music-industry exploitation. The tension between them, however, is only one facet of this semi-improvised drama, which also features a clandestine accord struck by Alice’s beloved nephew Tyler (Lucas Hedges) and her new agent Karen (Gemma Chan), both of whom are on the ship, the latter covertly. 94 min 100 min Janelle Monáe, Pedro Pascal, PG-13 Tenet may be the ultimate Christopher Nolan movie, distilling the director’s aesthetic style, storytelling conventions and thematic preoccupations down to their abstract essence. Action, Drama, Thriller. Stars: The battle against corruption and criminality—and for democracy—is an ongoing one, and as illustrated by Collective, it doesn’t always have a happy ending. | On its surface, Nomadland is a simple story about a middle-aged woman named Fern (Frances McDormand) who, after losing her husband (to disease) and her home (to the closing of a plant and the town it supported), embarks on an itinerant life across the American plains. Plummeting down a rabbit hole of confusion, longing, regret and grief, I’m Thinking of Ending Things is a film of careening left turns. Ben Wheatley | 86 min Ariel Schulman Rich in agonized angst and formal flourishes, it’s a masterwork of unhinged tone, as well as a showcase for Buckley, whose grand performance covers an expansive stretch of emotional terrain. Mary Steenburgen, | | For New Orleans paramedics Dennis (Jamie Dornan) and Steve (Anthony Mackie), life has turned out to be an unexpected disappointment, and their discontent with their disparate stations in life (Dennis is an unhappy husband and father; Steve is a lonely and aimless ladies man) is amplified by a spate of deaths that seem to be related to a new synthetic drug called synchronic that causes Dennis’ 18-year-old daughter to disappear. | Bruce Davis, R 107 min | | Alexander Nanau’s bracing and vital documentary concerns the fallout from the October 30, 2015 fire at the Colectiv nightclub in Bucharest, Romania that resulted in 27 immediate deaths, and the resignation of the ruling Social Democratic administration. | There’s volatility in its every unreal frame, as well as in the performance of Riseborough as a ruthless invader in search of autonomy. 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